

The Hamburg-based artist Mariella Mosler (*1962) is renowned for her idiosyncratic approach to materials and exhibition spaces; in 1997 she attracted attention at the Documenta X with an intricate sand floor sculpture. Mosler’s precise arrangements made of sand, mirrors, hair or wine gums – which often fill the entire space – subtly challenge the viewer’s accustomed way of seeing and thinking. In the Ernst Barlach Haus, her interest in discovering the unfamiliar within the familiar and in the parallels between high- and popular culture has been given the name of an artificial language: Volapük. Thus entitled, Mosler’s works – including a new series called Masken Masken (Masks) – enter into an exciting dialogue with the museum and its collection. This dialogue is to be continued with other striking contemporary art positions.
![]() |
| Mariella Mosler: Mask, 2008 (Detail) |
![]() |
| Mariella Mosler: Masks, 2006-2008 |
![]() |
| Mariella Mosler: Hundreds and Thousands, 2008 |
![]() |
| Mariella Mosler: Hundreds and Thousands, 2008 (Detail) |
![]() |
| Mariella Mosler: Mask, 2006 |
![]() |
| Mariella Mosler: Masks, 2006-2008 |
![]() |
| Mariella Mosler: Mask, 2008 (Detail) |
| © VG Bild-Kunst, Bonn 2008; Photos: Mariella Mosler, Christoph Irrgang, Hamburg |