Going beyond the boundaries of painting, drawing and sculpture, Norbert Prangenberg (1949–2012) developed a closely interconnected and widely ramified oeuvre. It unites archaic symbolism and baroque colourfulness, geometric clarity and organic proliferation, sensuous luxuriance and sensitive spirituality.
Norbert Prangenberg became internationally known through his participation in the documenta 7 in 1982. In 1993 the trained goldsmith took up a professorship of ceramics and glass-painting at the Academy of Fine Arts in Munich. The often life-sized hollow forms that Prangenberg made from then on in glazed clay, calling them Figures, are impressive characters of idiosyncratic beauty. They are at the centre of a homage to Prangenberg’s search for objects with charisma that adopts a leitmotif of his creativity as its title: ‘pleasure in form’.